Art is a feast to human. The charm from the canvas had never ceased to smooth our visual aspiration. Whilst the school of postmodernism declared the doom day of art history, the diversity of art today, however, stroke us with the birth of a new age for creation. Among the vast categories in painting, figurative art had been evolving with vibrant modern life style to establish its status in contemporary art. These five figurative artists in this hall are all in their golden times of creation. In spite of their difference in styles and experiences, their names are to be engraved as benchmarks for the creation of figurative forms in China today, where their persistence in originality and academic techniques had been of great assistance in highlighting individual perception from personal style and the reality of forms. Their philosophy for beauty is not confined to express the real forms with aesthetics, but the truth moving them in the soul in observation. While it is this very truth that brings us together in front of their canvas, to witness the possibility for the return of art to our fast-changing contemporary daily routine, it has thus as well engraved their names as benchmarks on Chinese contemporary art.
As Pablo Picasso described his life as the constant pursuit to paint like a child, the same spirit could be spotted in the works of Joan Miró. During the years between 1948 and 1953, the artist’s efforts had been focused on the expression of a form that is simple, exaggerating but above all undeniably truthful, which had opened a way for the successors to follow when boundaries had been reached in their own creations, where Shahid Parvez is one of them. His works illustrating the most sincere feelings in the heart of children is the romance that could not be sensed if the audience could not let go of the complexity of the world of majors. In the airy lines and textures like children’s appliqué, his canvas has been filled with humor and metaphors. Although his visual languages had adopted the very childish way, the technique he had developed to realize his never land is never immature. Comparing to the first attempts in the young lives to explore the world and to express the purity of their minds, Shahid Parvez had been looking for a summary for his years of expedition. It is thus in the colors and forms, his personality and style are well reserved and presented to the audience along with his conclusions in society and individuals. On one side his works are full of fantasies merrily creating an atmosphere infused with the laughers in his memory. On...
This group exhibition is accomplished under the planning of Art China of Britain and the associating of The Print Studio at Cambridge and St. Barnabus Press.The twelve artists in this exhibition bring us spectacular visions that have illustrated the prospect of engraving art in Britain today. These art pieces shown are created in the late five years, conveying the artists’ address on the mental experience aroused by social evolutions, have included the technical categories of woodcut, etching, Carborundum, linocut, screen print, lithograph and combined techniques. All vibrant in the field of engraving art, part of the artists had joined the faculty of art academies while the others are pursuing art as full-time, of whom, for instance, Anthony Green, an intimate to the Royal Art Association, and Stanly Donwood, a vanguard among the artists today on canvas and engravings, whose works are well acclaimed in an international scale. For the curators of this exhibition Kip Gresham and James Hill, their perennial cooperation with distinguished artists all over the world had been an eternal impetus for the development of this art form in UK. Their somehow abstract genres have witnessed with them the vicissitude of our habitat. It is our sincere hope a more legible social environment could be found in the images, so do the British engravings today.
The birth span of six youth artists of Shanghai Oil Painting & Sculpture Institute is from 1971 to 1983. Emerson said, if a man want to choose a age to be born, he will choose a variational one. During this age, all the experience is full with fear and hope. They have much experience in China of their own. The artworks deliver their past and the future.
Contemporary art is conceived in the modern context. However, with hardly any similarity to fads and fashion, it has the prospect to be handed down as classics with its unique aesthetics. Though it is universally acknowledged that the once prevailing western post-modernism art had now tucked into pure canvas form, it had on the other hand reflected the demands of art itself to regress to its essence rather than expanding into more vastly varied forms. This choice is believed to have been made after careful consideration to refine art from our culture and the artists’ self-consciousness following their free-wills and sticking to their common idealism. This is the portrait of the environment for the artists’ creation, where modernity is intensively depicted. The abstractionists in this room has been weaving in the patterns their personal style and feelings in modern times. The farther their mind leave what they saw, the more profound their art deliver what they perceive. Finally, spiritual dimensions are developed; the poetry of abstraction is harvested as one after another conception had been established, emitting the warmth of conciliation for the upright and the stoical. We firmly believe that abstract art is bound to be accepted to larger population with the time moving forward. Nevertheless hard work would be indispensable with to communicate academic aesthetics and popular taste. On such basis, these five abstractionists in this room had eloquently testified this point, reflecting their inimitable explorations on Chinese...
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